傲慢與偏見(jiàn)英文版讀書(shū)報(bào)告
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傲慢與偏見(jiàn)英文版讀書(shū)報(bào)告范文篇一
Many people simply regard Pride and Prejudice as a love story, but in my opinion, this book is an illustration of the society at that time. She perfectly reflected the relation between money and marriage at her time and gave the people in her works vivid characters. The characters have their own personalities. Mrs. Bennet is a woman who makes great efforts to marry off her daughters. Mr. Bingley is a friendly young man, but his friend, Mr. Darcy, is a very proud man who seems to always feel superior. Even the five daughters in Bennet family are very different. Jane is simple, innocent and never speaks evil of others. Elizabeth is a clever girl who always has her own opinion. Mary likes reading classic books. (Actually she is a pedant.) Kitty doesn’t have her own opinion but likes to follow her sister, Lydia. Lydia is a girl who follows exotic things, handsome man, and is somehow a little profligate. When I read the book, I can always find the same personalities in the society now. That is why I think this book is indeed the representative of the society in Britain in the 18th century.
The family of gentleman in the countryside is Jane Austen’s favourite topic. But this little topic can reflect big problems. It concludes the stratum situation and economic relationships in Britain in her century. You can find these from the very beginning of this book.
The first sentence in this book is impressive. It reads: “It is a truth well known to all the world that an unmarried man in possession of a large fortune must be in need of a wife”. The undertone is very clear: the foundation of the marriage at that time is not emotion but possession.
People always think that Austen was an expert at telling love stories. In fact, the marriage in her book is not the result of love, but the result of economic needs. After reading this book, I know the truth is that a poor woman must be in need of a husband, a wealthy man.
I couldn’t forget how eager Mrs. Bennet wants to marry off her daughters. If you want to know why she is so crazy about these things, I must mention the situation in Britain at that time. Only the eldest son had the privilege of inheriting his father’s possessions. Younger sons and daughters who are used to luxurious lives have no choice but marry a man or woman in possession of a large fortune to continue their comfortable lives. Thus, we can see that getting married is a way to become wealthier, particularly for women without many possessions. Jane Austen told us that money and possession determined everything, including marriage and love in her century.
In “Pride and Prejudice”, the sister of Mr. Bingley strongly opposed his plan of marrying Jane because the Bennets don’t have many possessions and their social positions are much lower than them. From this, we can see there are a lot of obstacles for a not very rich woman to marry a wealthy husband. The society, the relatives would not allow them to get married.
In modern society, although the marriages of economic needs have decreased rapidly, the concept of “money determines everything” is still rooted in some people’s mind. A lot of parents try hard to interfere their children’s marriages. Education background, possessions, jobs remains the main reason that may influence one’s marriage. Marry for money is still a big problem in our society. We can’t help thinking: can money determine everything?
Austen left this problem for us to think. The genius of Jane Austen lies in this perfect simplicity, the simplicity that reflects big problems. Although Austen was only 21 when she wrote “Pride and Prejudice”, her sharp observation of social lives makes the style of this book surprisingly mature and lively. The plots in her works are always very natural. The development of the plot is as inevitable as a problem in mathematics. I think the depth of Pride and Prejudice is the reason that makes this book prominent and classic. Today, her book still can be the guide telling us the economic relationships both at her time and in modern time.
傲慢與偏見(jiàn)英文版讀書(shū)報(bào)告范文篇二
It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.
凡是有錢的單身漢，總想娶位太太，這已經(jīng)成了一條舉世公認(rèn)的真理。這樣的單身漢，每逢新搬到一個(gè)地方，四鄰八舍雖然完全不了解他的性情如何，見(jiàn)解如何，可是，既然這樣的一條真理早已在人們心目中根深蒂固，因此人們總是把他看作自己某一個(gè)女兒理所應(yīng)得的一筆財(cái)產(chǎn)。
"My dear Mr. Bennet," said his lady to him one day, "have you heard that Netherfield Park is let at last?"
有一天班納特太太對(duì)她的丈夫說(shuō)：“我的好老爺，尼日斐花園終于租出去了，你聽(tīng)說(shuō)過(guò)沒(méi)有?”
Mr. Bennet replied that he had not.
班納特先生回答道，他沒(méi)有聽(tīng)說(shuō)過(guò)。
"But it is," returned she; "for Mrs. Long has just been here, and she told me all about it."
“的確租出去了，”她說(shuō)，“朗格太太剛剛上這兒來(lái)過(guò)，她把這件事的底細(xì)，一五一十地告訴了我。”
Mr. Bennet made no answer.
班納特先生沒(méi)有理睬她。
"Do not you want to know who has taken it?" cried his wife impatiently.
“你難道不想知道是誰(shuí)租去的嗎?”太太不耐煩地嚷起來(lái)了。
"You want to tell me, and I have no objection to hearing it."
“既是你要說(shuō)給我聽(tīng)，我聽(tīng)聽(tīng)也無(wú)妨。”
This was invitation enough.
這句話足夠鼓勵(lì)她講下去了。
"Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it that he agreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week."
“哦!親愛(ài)的，你得知道，郎格太太說(shuō)，租尼日斐花園的是個(gè)闊少爺，他是英格蘭北部的人;聽(tīng)說(shuō)他星期一那天，乘著一輛駟馬大轎車來(lái)看房子，看得非常中意，當(dāng)場(chǎng)就和莫理斯先生談妥了;他要在‘米迦勒節(jié)’以前搬進(jìn)來(lái)，打算下個(gè)周未先叫幾個(gè)傭人來(lái)住。”
"What is his name?"
“這個(gè)人叫什么名字?”
"Bingley."
“彬格萊。”
"Is he married or single?"
“有太太的呢，還是單身漢?”
"Oh! single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!"
“噢!是個(gè)單身漢，親愛(ài)的，確確實(shí)實(shí)是個(gè)單身漢!一個(gè)有錢的單身漢;每年有四五千磅的收入。真是女兒們的福氣!”
"How so? how can it affect them?"
“這怎么說(shuō)?關(guān)女兒女兒們什么事?”
"My dear Mr. Bennet," replied his wife, "how can you be so tiresome! You must know that I am thinking of his marrying one of them."
“我的好老爺，”太太回答道，“你怎么這樣叫人討厭!告訴你吧，我正在盤(pán)算，他要是挑中我們一個(gè)女兒做老婆，可多好!”
"Is that his design in settling here?"
“他住到這兒來(lái)，就是為了這個(gè)打算嗎?”
"Design! nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes."
“打算!胡扯，這是哪兒的話!不過(guò)，他倒作興看中我們的某一個(gè)女兒呢。他一搬來(lái)，你就得去拜訪拜訪他。”
"I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better; for, as you are as handsome as any of them, Mr. Bingley might like you the best of the party."
“我不用去。你帶著女兒們?nèi)ゾ偷美?，要不你干脆打發(fā)她們自己去，那或許倒更好些，因?yàn)槟愀畠簜儽绕饋?lái)，她們哪一個(gè)都不能勝過(guò)你的美貌,你去了，彬格萊先生倒可能挑中你呢?”
"My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be any thing extraordinary now. When a woman has five grown up daughters, she ought to give over thinking of her own beauty."
“我的好老爺，你太捧我啦。從前也的確有人贊賞過(guò)我的美貌，現(xiàn)在我可有敢說(shuō)有什么出眾的地方了。一個(gè)女人家有了五個(gè)成年的女兒，就不該對(duì)自己的美貌再轉(zhuǎn)什么念頭。”
傲慢與偏見(jiàn)英文版讀書(shū)報(bào)告范文篇三
The writer of the novel is Jane Austen . Jane Austen was born at Steventon on December 16, 1775, the youngest of seven children. She received her education—scanty enough, by modern standards—at home. Besides the usual elementary subjects, she learned French and some Italian, sang a little, and became an expert needle-woman. Her reading extended little beyond the literature of the eighteenth century, and within that period she seems to have cared most for the novels of Richardson and Miss Burney, and the poems of Cowper and Crabbe. Dr. Johnson, too, she admired, and later was delighted with both the poetry and prose of Scott. The first twenty-five years of her life she spent at Steventon; in 1801 she moved with her family to Bath, then a great center of fashion; after the death of her father in 1805, she lived with her mother and sister, first at Southampton and then at Chawton; finally she took lodgings at Winchester to be near a doctor, and there she died on July 18, 1817, and was buried in the cathedral. Apart from a few visits to friends in London and elsewhere, and the vague report of a love affair with a gentleman who died suddenly, there is little else to chronicle in this quiet and uneventful life.
But quiet and uneventful though her life was, it yet supplied her with material for half a dozen novels as perfect of their kind as any in the language. While still a young girl she had experimented with various styles of writing, and when she completed "Pride and Prejudice" at the age of twenty-two, it was clear that she had found her appropriate form. This novel, which in many respects she never surpassed, was followed a year later by "Northanger Abbey," a satire on the "Gothic" romances then in vogue; and in 1809 she finished "Sense and Sensibility," begun a dozen years before. So far she had not succeeded in having any of her works printed; but in 1811 "Sense and Sensibility" appeared in London and won enough recognition to make easy the publication of the others. Success gave stimulus, and between 1811 and 1816, she completed "Mansfield Park," "Emma," and "Persuasion." The last of these and "Northanger Abbey" were published posthumously.
The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books. She describes her own class, in the part of the country with which she was acquainted; and both the types of character and the events are such as she knew from first-hand observation and experience. But to the portrayal of these she brought an extraordinary power of delicate and subtle delineation, a gift of lively dialogue, and a peculiar detachment. She abounds in humor, but it is always quiet and controlled; and though one feels that she sees through the affectations and petty hypocrisies of her circle, she seldom becomes openly satirical. The fineness of her workmanship, unexcelled in the English novel, makes possible the discrimination of characters who have outwardly little or nothing to distinguish them; and the analysis of the states of mind and feeling of ordinary people is done so faithfully and vividly as to compensate for the lack of passion and adventure. She herself speaks of the "little bit (two inches wide) of ivory on which I work," and, in contrast with the broad canvases of Fielding or Scott, her stories have the exquisiteness of a fine miniature.
we are always pride and think something in our mind but not right,we assess the others only depend on their background or their color of skin , we hide our true heart and pretend ,we dispise the others without any reason.
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