英語(yǔ)經(jīng)典名篇精選段落閱讀
每一篇英語(yǔ)文章都是有英語(yǔ)句子和段落集成的，所以小編今天就給大家?guī)砹擞⒄Z(yǔ)的優(yōu)美段落，有時(shí)間的多多參考一下
英語(yǔ)優(yōu)美段落一
I have come to believe that a great teacher is a great 1)artist and that there are as few as there are any other great artists. It might even be the greatest of the arts since the 2)medium is the human mind and spirit.
I shall speak only of my first teacher because 3)in addition to the other things, she brought discovery.
She aroused us to shouting, bookwaving discussions. She had the noisiest class in school and she didn’t even seem to know it. We could never 4)stick to the subject. She breathed curiosity into us so that we brought in facts or truths 5)shielded in our hands like 6)captured 7)fireflies.
She was fired and perhaps 8)rightly so, for failing to teach 9)fundamentals. Such things must be learned. But she left a passion in us for the pure knowable world and she 10)inflamed me with a curiosity which has never left. I could not do simple 11)arithmetic but through her I sensed that 12)abstract 13)mathematics was very much like music.
When she was relieved, a sadness came over us but the light did not go out. She left her 14)signature on us, the literature of the teacher who writes on minds. I suppose that to a large extent I am the unsigned 15)manuscript of the high school teacher. What deathless power lies in the hands of such a person.
I can tell my son who looks forward with horror to fifteen years of 16)drudgery that somewhere in the 17)dusty dark a magic may happen that will 18)light up the years... if he is very lucky.
良師，乃人生一幸
我相信一名好老師就是一名偉大的藝術(shù)家，而且相信好的老師和偉大的藝術(shù)家一樣難得。教書也許是一門最偉大的藝術(shù)，因?yàn)樗拿襟w是人的大腦和靈魂。
我特別要說一說我的第一位老師，她教會(huì)我們其他知識(shí)，也教會(huì)我們?nèi)绾翁角笾R(shí)。
她讓我們大聲討論，揮舞著書本。她的課堂是全校最亂的課堂，而她對(duì)此卻好像全然不知。我們從不會(huì)拘泥于一個(gè)科目上。她培養(yǎng)我們的好奇心，讓我們自己去發(fā)現(xiàn)事實(shí)和真理，把它們攥在手中，像被捕捉的螢火蟲一樣。
她因未能教授我們基礎(chǔ)知識(shí)而被解雇了，或許這理由很正當(dāng)，因?yàn)檫@些知識(shí)一定要學(xué)。但是她給我們留下了對(duì)純粹的可知世界的熱情;她燃起我求知的熱情，這種熱情前所未有。我雖然不會(huì)計(jì)算簡(jiǎn)單的算術(shù)題，但是通過她，我感到抽象的數(shù)學(xué)與音樂非常地相似。
當(dāng)她被解聘時(shí)，我們都很難過，但是那片光明并沒有消失。她給我們留下她的簽名，那是老師寫在我們心中的作品。我想在很大程度上，我正是那位中學(xué)老師未經(jīng)簽名的手稿。這樣一個(gè)人擁有多么永恒的力量啊。
我可以告訴我那恐懼地等待15年寒窗之苦的兒子，如果他非常幸運(yùn)的話，在一片混沌黑暗中，也許會(huì)有神奇的事情發(fā)生，使他的學(xué)生時(shí)代一片光明。
英語(yǔ)優(yōu)美段落二
In the winter of 1997, I saw a Spanish film called Abre Los Ojos. I couldn't get it out of my mind. The movie felt like a folk song to me, part fable, part poem, partly a committed conversation that you'd have with someone late at night when big ideas flowed easily. I wanted to be a part of that conversation. As all movies do, Vanilla Sky, a title I thought had a kind of musical quality, acquired a driven 1)adrenalinalized personality all its own. Much of the same crew had worked on Almost Famous. We made the two movies 2)back to back and they couldn't have been more beautifully 3)dissimilar. Visuals mattered a lot on this one, especially the opening sequence where we emptied Times Square on an early November morning. Working with the great John Toll was key. He had been the 4)cinematographer on Almost Famous and while that movie had a free flowing documeturish feel, this one would be even more demanding. Not a shot would go unplanned, not an image wasted.
The goal was a movie filled with clues and 5)signposts, kind of like the cover of 6)Sergeant Pepper, every time you look at it, you might see something different. We all 7)pitched in to tell this odd and 8)intoxicating story about dreams and reality. Often after we'd rapped for the evening, many of us still stayed behind and talked about the layers of the movie even while we were making it. Not quite 2 years later, we still do.
Vanilla Sky isn't obvious. It's a movie to be watched closely, but it's also a movie you can let wash over you. It's a story, a puzzle, a nightmare, a 9)lucid dream, a 10)psychedelic pop song, a movie to argue over and most of all, a movie that extends an invitation. Wherever you want to meet it, it will meet you there.
夢(mèng)的序言
——《香草的天空》
1997年冬天，我看了一部西班牙電影《睜開你的雙眼》。難以磨滅的印象。電影帶給我民謠般的感受，像寓言，又像詩(shī)歌，也像朋友間在深夜一次靈感飛濺的談話。我很想加入到這樣的談話中。正如所有的電影一樣，我覺得《香草的天空》這個(gè)片名富有樂感，蘊(yùn)含著一種令人躁動(dòng)的特質(zhì)。片組人員基本是制作《近乎成名》的同一班子。我們接連拍出這兩部電影，讓它們煥發(fā)出迥然不同的美。《香草的天空》非?？粗匾曈X效果，尤其是在片頭，我們清空了十一月一個(gè)早晨的時(shí)代廣場(chǎng)。能和優(yōu)秀的約翰•托爾一起合作舉足輕重。他是《近乎成名》的攝影師，將那部電影拍出一種揮灑自如的記錄片感覺，《香草的天空》則要求更高。沒有哪個(gè)鏡頭不經(jīng)過周詳計(jì)劃，沒有哪個(gè)畫面是多余的。
我們的目標(biāo)做出一部貫穿線索和征兆的影片，就像《佩鉑軍士》的封面，每看一次都會(huì)有新的收獲。我們都很投入地來講述這個(gè)奇特而迷人的故事，關(guān)于夢(mèng)境和現(xiàn)實(shí)的故事。我們常常是在晚上進(jìn)行交流，之后還有很多人留下來商討電影的表現(xiàn)手法，甚至一邊拍攝一邊討論。兩年后還是依然如此。
《香草的天空》不是部淺顯的電影。它既能讓你用心細(xì)品，也可以點(diǎn)到即止。它是一個(gè)故事，一個(gè)謎語(yǔ)，一個(gè)夢(mèng)魘，一個(gè)清晰的夢(mèng)，一首迷幻般的流行歌，是一部具爭(zhēng)議的影片，最重要的是--這電影發(fā)出一張邀請(qǐng)函，無論何地，只要你愿意，就會(huì)看到。
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